| 135) |
In sponge ball magic, it is not good practice to have the magic happen in the spectator's hands. |
_____ |
| 136) |
Handcuffs, ropes, chains, and padlocks should never be used in escape magic. |
_____ |
| 137) |
The flattened hairpin shim is used to trigger a lock directly through the keyhole. |
_____ |
| 138) |
Contrary to popular belief, concealed duplicate keys are never used to open padlocks. |
_____ |
| 139) |
Leg irons must be prepared for escape magic use. |
_____ |
| 140) |
The Hyatt Corporation of London, England manufactures handcuffs which are locked and unlocked with an ordinary skeleton key. |
_____ |
| 141) |
An ordinary hardware store straight link chain is not useful in escape magic, because the link tends to twist and snag under pressure. |
_____ |
| 142) |
Thin rope should be used for rope tie escapes. |
_____ |
| 143) |
Harry Kellar is famous for his straight jacket escapes. |
_____ |
| 144) |
Gaining slack is a technique of handcuff escape. |
_____ |
| 145) |
In comedy magic, the audience must be made to laugh, as soon as possible. |
_____ |
| 146) |
A visual gag is a good opener in comedy magic. |
_____ |
| 147) |
Timing is most important in comedy magic. |
_____ |
| 148) |
Routining comedy magic is facilitated by using the same prop for multiple gag purposes & by using similar props, i.e. break-a-way scissors and wands for running gag purposes. |
_____ |
| 149) |
Sometimes an assistant called from the audience can make your act and sometimes break your act. |
_____ |
| 150) |
Laughter provides excellent opportunity for misdirection. |
_____ |
| 151) |
That your audience likes you is even more important than the content of your show. |
_____ |