Merlin

International Magicians Society
International World Headquarters
581 Ellison Ave.
Westbury, NY 11590   USA
516-333-2377       fax: 516-333-6328
info@magicims.com

The International Magicians Society Magic Academy Course
Final Examination for the Degree of Doctor of Magic (D.M.)

TRUE/FALSE

Place a T after each TRUE statement and an F after each FALSE statement.

Continued

104) Better practice results can be obtained by practicing before a video camera. _____
105) Practice should precede rehearsal. _____
106) The proper sequence for working up an act is:  1)  Learn to perform each effect separately;  2)  Routine the effects such that one effect segues smoothly into the next; and  3)  Rehearse the whole act. _____
107) Modern audiences do not possess the attention span for overly long shows. _____
108) A twelve minute act is the ideal for a floor show. _____
109) A forty-five minute act is ideal for a parlor show. _____
110) A one-hour act is ideal for a stage show. _____
111) An exceptionally good act may hold an audience for an hour and a half or more with intermission. _____
112) When getting rid of an object in the pocket, it is well to come out of the pocket with an object to be incorporated in the next phase of the effect. _____
113) When secretly taking an object from the pocket or other concealment, it is well to come up with another visible object to be incorporated in the next phase of the effect, while palming the concealed object in the same hand. _____
114) Allowing time to pass before producing a concealed object obtained is an effective misdirection technique. _____
115) When producing larger objects, it is well to move away from the source of their attention, for example, a table or the back of a chair. _____
116) A wooden bead sewn into the corner of a silk facilitates rolling the sillk. _____
117) A hollow ball with a hole in it is a utility device for concealing & palming silks to be produced. _____

 

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